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Music Review: Oscar Pettiford –“Lost Tapes: Germany 1958/1959″

Oscar Pettiford has always been one of the “What ifs” of jazz music. He was a bassist/cellist who played with Dizzy Gillespie and Max Roach and was considered a pioneer of the Bebop movement.  He...

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Music Review: Miles Davis –‘Chronicles: The Complete Prestige Recordings 1951...

The Miles Davis box set Chronicles: The Complete Prestige Recordings 1951 – 1956 is an eight-CD collection from the man critic Kenneth Tynan once called “a musical lonely hearts club.” Tynan’s...

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Music Review: Sonny Rollins – Saxophone Colossus

The reissue of Sonny Rollins’ first acknowledged masterwork, Saxophone Colossus not only contains some of the best work of his career, it is a real bargain as well. This Extended Jazz Classics release...

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Music Review: Clifford Brown Sonny Rollins Max Roach Quintet – Complete...

Although trumpeter Clifford Brown, saxophonist Sonny Rollins, and drummer Max Roach did play together within quintets, this shared billing is a marketing idea by the Essential Jazz Classics label...

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Music Review: Charlie Parker, Dizzy Gillespie, Bud Powell, Max Roach, Charles...

When five of the most celebrated jazz musicians of the age get together for a one-time concert you would expect something special. So when you have Charlie Parker, Dizzy Gillespie, Bud Powell, Max...

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Music Review: Charlie Parker, Dizzy Gillespie, Bud Powell, Max Roach, Charles...

Massey Hall in Toronto, Canada, has hosted over 10,000 concerts during its 118 year existence. The 2,750 seat venue was only about half-full on May 15, 1953, when it hosted one of the most unique...

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Music Review: Thelonious Monk – The Very Best of Thelonious Monk

The best thing about Concord Music Group’s “Very Best of…” series is that it gives jazz fans a chance to hear again a few of those classic vinyl performances that at least some of us have buried away...

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Music Review: Terri Lyne Carrington – Money Jungle: Provocative In Blue

It can be difficult to pay musical homage to a legend, particularly one as towering as Duke Ellington. How do you interpret the music in a fresh way, preventing the music from sounding stale, while...

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